Bargain Sale

I love making books (at times maybe even a bit too much). However, books do have one disadvantage, they require space. I am running out of space, hence here’s the offer: Throughout January there’s a 50% discount on selected titles. You can help me clear my shelves by filling yours.
You’ll be happy with cheaper books, I’ll be happy with extra space, we’ll all have a happy start of the new year.
A meeting on holiday now 12 €
Around the World in Eighty Minutes now 12 €
Art Peace China Daily now 8 €
Bilderbuch 2.0 now 16 €
Fifteen Minutes on Broadway now 8 €
Fotobuch now 16 €
Il Mare now 12 €
Illustriertes Tierleben now 6 €
Kunst gegen Essen now 4 €
Kunstgeschichte für alle now 6 €
Little Portraits now 8 €
Naked Lunch Remix now 12 €
One Hundred Things to Remember now 8 €
Picture Library now 20 €
sind wir dumm. Ein Lexikon der Suchvorschläge now 10 €
The Coach House / An Inventory now 12 €
The Watch now 32 €
Vom Gehen now 8 €

Library of Artistic Print on Demand

Between 2008 and 2016 I published a series of print-on-demand books exploring and exploiting the potential of the then new technology. Several of my books are included in the Library of Artistic Print on Demand. A correspondent book, edited by Annette Gilbert and Andreas Bülhoff was recently published by Spector Books. The 720 pages tome “maps this experimental field for the first time and explores its global spread, history, contradictions, and political implications. It presents 244 outstanding artistic works and 25 writings from leading practitioners and scholars in the field.” My essay From my Skull is also included in this book.
The complete Library of Artistic Print on Demand is now part of the holdings of Bayerische Staatsbibliothek in Munich. Lilian Landes, curator of the library’s artist book collection published an article about the acquisition of my books earlier this year: Zur Theorie des Sammelns und wie sie von der Praxis ausgehebelt wird: Joachim Schmids Gesamtwerk.

Bologna Exhibition Update

The ongoing exhibition at P420 was prolongated for another month until April 10th.
More reviews were published recently, “Riflettere sulle immagini. Le fotografie di Joachim Schmid a Bologna” by Giulia De Sanctis in Artribune, “Schmid rende arte la fotografia: la sua mostra a Bologna” by Paola Naldi in la Repubblica, and “Nessuna nuova fotografia, finché tutte quelle esistenti non siano state utilizzate” by Bruna Giordano on exibart.

The Last Days of Mr T

For the first time we heard of “alternative facts” in January 2017. It was a truely shocking revelation which triggered my research into the matter. Not much later I published my findings in a small booklet presenting an alternative number of Two Hundred Alternative Facts about Mr T. As announced, this booklet is only available as long as Mr T is in office. Now that Mr T’s days in office are numbered it’s your last chance to get one of the few copies left. The remainig copies will be shredded on January 20th, 2021 at 6pm CET.

Shipping delays

Collectors ordering books please note that due to the ongoing pandemic there may be substantial delays in the postal service. The service in Germany and to most European countries is more or less regular but there are substantial disruptions in overseas services. For up to date details please check the Deutsche Post site.

Books for free!

Books are great. What’s better than books? Free books! Here’s your chance: although I am totally subscribed to the idea I know there are moments when books are not so great. One of these moments is when you are moving house. That’s what I’ll do soon. Before moving I’d love to lose weight, and therefore I’ll give away books for free.
This is how it works: Order a book and you’ll get another book for free. Any book order will come with an extra copy of a randomly chosen book from the available stock. This is a one-time offer, effective immediately and expiring on December 15. Buy one, get two. Buy two, get three. Buy now. Help me clear my shelves by filling yours. It’ll make me a happy man when moving house.

The Data Thing

Everyone’s mailbox is clogged these days with messages sent by absolutely every entity we ever were in contact with. That’s because the European authorities released some small print nobody really understands. To avoid trouble we all need to assert that we are the good guys. We are the ones who do neither collect nor sell data (it’s true, as far as I am concerned). It seems that we risk being sued by ruthless lawyers during hate week if we do not send such statements to just about everyone we ever were in contact with. Done.
The only data I collect are the email addresses of people who subscribed to my site at one point. I do not share these with anyone, not for free, not for money, not for candy, and not for sex. The addresses I collected are kept in a locked ebony casket; the gilded key for this is well hidden in a vault known only to me. If you should wish your address to be removed from my collection, just click the unsubscribe link that should be somewhere down there; if it isn’t send me a teeny weeny email and my staff will get out the erasers immediately.
Once you’re at it you may also consider to get rid of your telescreens and to drop your social media accounts in the memory hole.
I am sending best wishes to all of you from Shanghai where I am working for some months on a new project, fingerprinted, under constant video surveillance, and with very limited internet access. (It’s not called work by the way; if I’d call it work I might be back home much sooner than expected.) Stay tuned and you’ll learn about the results one day. My site is the only place where you find regular updates about my work by the way.
Facebook site deleted? Yes. Facebook account deleted? Yes.
Have a nice day. Skip hate week.

Paris Gallery Update

With immediate effect I discontinued my collaboration with Galerie Alain Gutharc in Paris. Collectors who consider buying artwork from the gallery are advised that I am no longer represented by the gallery. The gallery is no longer authorized to sell any of my works. Collectors who acquired work by me from this gallery in the past are informed that I may not have been paid for those works.

New listings of publications, new online shop

With the increasing number of books I have been making during the past years and with the various places where to find information about these books, things have become a bit confusing – time for a new presentation. All the printed matter I published during my career will be listed in individual posts on this site from now on, properly described, tagged and easily searchable. Interested parties who wish to purchase any books can do this through my new online shop.

ABCED

“I guess maybe I woke up in a cold sweat once and just had this light bulb go off of doing a book of some sort.”
This is how Ed Ruscha, in a 2004 interview, recalled the events that led him to start creating books. The books he started making half a century ago were influential for generations of artists. To honour his contribution to the artist book, members of ABC Artists’ Books Cooperative are launching ABCED in Autumn 2012. ABCED is a multi-volume book project created on the occasion of Ed Ruscha’s 75th birthday, consisting of 33 books by 24 artists. The project will be launched simultaneously in multiple venues on both sides of the Atlantic in the final weeks of September:
Offprint Amsterdam, 20–23 September
The London Art Book Fair, 21–23 September
The New York Art Book Fair, 27–30 September.
My books Borrowed and Replicated are part of this project.
My new series Authentic Replica is based on a selection of images from these books.

Bilder von der Straße


^ No. 1000, Gallipoli, March 2012

I am pleased to announce that my thirty-year project Bilder von der Straße (Pictures from the Street) was completed recently. I decided to discontinue the work after one thousand findings. The project began in August 1982 and ended in March 2012. During this time I picked up one thousand lost or abandoned photographs from the world’s pavements. The complete work is now available in book form.
Although the collection has been exhibited widely, this is the first time it is printed as a complete set. Published in four volumes, the books present every found photograph or its fragments in their original size and in the chronological order they were discovered. No intervention has taken place except for the inclusion of the date and location where each picture was found. As well as providing a record of my travels, the books document people’s use and abuse of photographs, with almost all the photographs in the collection depicting people and more than half of these being ripped or defaced in some way.