Artists’ books come in all kinds of shapes and sizes. I prefer the ones that are conceptually striking, not made for the sake of craft. Usually these are simple, small, and cheap. Often I wonder about the economy of artists’ books. We work and make and publish books in small editions, and then we sell them at reasonable prices. How does this work? This book explains in detail how artists make (or lose) money with self-published books. The book comes in two editions: the regular edition that is very affordable and a very limited edition that makes the money. 2016
digital print, b/w
14.8 x 10.5 cm, 48 pages
limited edition of 4 copies (+ 1 AP) with an original signed and stamped banknote (one copy for each of the currencies mentioned in the book: ¥, €, $, and £); the limited edition is out of stock
IKEA sucks. In my opinion they owe me money. They don’t agree. In order to recuperate the disputed amount I made this book. The prices of all items bought at IKEA are listed in the book. The revenue from sales of the complete edition equals the total of my purchase.
All materials used for the production of the book were involuntarily supplied by IKEA. The book’s pages are IKEA note sheets, the cover is made of IKEA wrapping paper and cardboard, the typographic elements and photos are taken from the IKEA catalog. The twenty-five copies of the book are numbered and signed using an IKEA pencil which is attached to each copy. Everything is kept neat and flat and in place by a belly band made of an IKEA measuring tape.
IKEA is a registered trademark of Inter IKEA Systems B.V. 2015
22 x 10.5 cm, 36 pages
hardcover, perfect bound
25 copies (+ 2 AP), numbered and signed
A concise reflection on art, economy, and food, published on the occasion of an exhibition which was held in an Italian restaurant in Berlin and for which I received payment in food and wine. 1996 by Edition Fricke & Schmid
21 x 14.8, 16 pages + 9 separate colour reproductions
ISBN 3 927365 31 9
Steuerfreie Einkünfte (tax-free income) grew directly out of the long-time project Bilder von der Straße. Looking out for abandonded photographs in the streets, it was inevitable that I found other things, too, such as money. Usually, this would be in the form of small coins but occasionally, I would find a banknote. For many years I simply picked all these up and put them in my wallet. In 2011, I began to make annual inventories of the found money after an interesting dispute with the fiscal authorities about tax-deductible expenses and the character of some of my works such as Bilder von der Straße.
The project’s accounting is public. A complete report was published in book form after the ten-year project was completed.