Gesucht wird … (Wanted …) presents found posters assembled in twelve countries around the world between 1983 and 2018. Spanning 400 pages, all were produced in the search for missing animals and mostly include cats, dogs, a few birds, and one ferret.
In the book, these posters are presented in the order they were found. The sequencing inadvertently reveals the creeping influence of personal computers in society, as expressive hand-written scrawls slowly give way to the clean, generic typefaces of Microsoft Word.
The longer I collected them the more I realized there’s probably no better way of showing the affection people have with their pets than a home-made poster. The self-made design and typography, the vernacular language used, and the snapshot quality of the photographs are endearing and expressive markers of that affection. With the latter, it’s possible to imagine that all the photos of cats and dogs in the world are only really ever made in case they one day have to appear on a Wanted poster. 2018
digital print, color
29.7 x 21 cm, 400 pages
Illustriertes Tierleben – Eine allgemeine Kunde des Tierreichs is a collection of images taken from a daily Berlin newspaper, all of which come from the animal related “human interest” articles that run in the “miscellaneous news” section of the paper. The pictures and relating stories illustrate the relationship between modern humans and fauna. The book includes a selection of 45 photographs, its title refers to Alfred Brehm’s famous Tierleben (Life of Animals), first published in 1863. 2010
digital print, colour
21 x 14.8 cm, 48 pages
Illustriertes Tierleben is a collection of images taken from a daily Berlin newspaper, all of which come from the animal related “human interest” articles that run in the “miscellaneous news” section of the paper. The pictures and relating stories illustrate the relationship between modern humans and fauna. Twenty-four pigment ink prints, 30 x 40 cm each
^ Frances Young Tang Teaching Museum and Art Gallery,
Saratoga Springs 2007
Archiv is an analytical survey of international vernacular photography through the course of 20th century consisting of assortments of images – snapshots, studio photos, postcards, commercial photos, photos of missing people, newspaper images – grouped and classified according to their similarity on panels. The panels highlight the mechanical uniformity and conformity of image production, the collective patterns and rituals of popular photographic representations. The project is a history, a commentary, and a celebration of the mundane weirdness of commonplace photography.
The project consists of 726 panels, 40 x 50 cm each.
146 panels were in the traveling exhibition ⟩Knipsen⟨. Private Fotografie in Deutschland von 1900 bis heute (Taking Snapshots. Amateur Photography in Germany from 1900 to the Present). They are now in the archive of Institut für Auslandsbeziehungen, Stuttgart.
580 panels are in the collection of The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY.
A catalogue is available in the series of white books.