R. Flick Collection (2017)

The R. Flick Collection is a sequel of the 1989 project Meisterwerke der Fotokunst. The collection is drawn on the ever-expanding pool of a popular photo hosting site and focuses on unknown works by award-winning photographers posted on that site.
Photographs by Robert Adams, Bernd und Hilla Becher, Richard Billingham, Sophie Calle, Rineke Dijkstra, William Eggleston, Joan Fontcuberta, Lee Friedlander, Anna Gaskell, Jim Goldberg, David Goldblatt, Nan Goldin, Paul Graham, Andreas Gursky, Cindy Sherman, Joel Sternfeld, John Stezaker, Hiroshi Sugimoto, Jürgen Teller, Jeff Wall.
Twenty matted pigment ink prints (20 x 25 cm each) and a brochure with background information. Archival box, 22 x 27 x 6 cm, edition of 5 copies + 2 AP, numbered and signed.

History Lessons

Forty-four postcards depicting moments of US history as represented in monuments, replica buildings, wax museums, or reenactment shows, covering four centuries from the arrival of the first European settlers to the collapse of World Trade Center.
2015
digital print, colour
21 x 14.8 cm, 96 pages
softcover, sewn
100 copies
out of print

Decisive Portraits


Decisive Portraits is a series of eight b/w photographs and a text panel. The photographs are portraits of black American soldiers taken by George Garland in April and May 1944 in Petworth, West Sussex.
2014 (the 2013 print-on-demand edition is discontinued)
digital print, b/w
21 x 14.8 cm, 20 pages
softcover, saddle-stitched
50 copies
8 €

X Marks the Spot

Dallas, Texas, Dealey Plaza. The site where John F. Kennedy was assassinated is a major tourist magnet. White Xes on the pavement mark the spots where the president was fatally shot – in the middle of a freeway on-ramp. Visitors often wait for a gap in traffic, hurry to one of the Xes, get their photos taken and leave the road before the next cars arrive. Some of those photos end up in online photo sharing sites such as Flickr, with captions along these lines: “I don’t know why I felt the need to stand by the X but judging from everyone else, it would appear to be the thing to do.”
A webcam is positioned in a window on the sixth floor of the former Texas School Book Depository, the site where, on November 22, 1963, an assassin allegedly fired the shots that killed Kennedy as the presidential motorcade passed through Dealey Plaza. The camera’s perspective exactly matches that of the assassin: it now shoots the tourists shooting their own memorial photos, and we can watch this in real time.
The book combines snapshots taken by tourists at Dealey Plaza with footage from the webcam.
2013
digital print, colour
14.8 x 10.5 cm, 84 pages
softcover, sewn
100 copies
second edition 2014: 100 copies
out of print

X Marks the Spot (2013)

Dallas, Texas, Dealey Plaza. The site where John F. Kennedy was assassinated is a major tourist magnet. White Xes on the pavement mark the spots where the president was fatally shot – in the middle of a freeway on-ramp. Visitors often wait for a gap in traffic, hurry to one of the Xes, get their photos taken and leave the road before the next cars arrive. A webcam is positioned in a window on the sixth floor of the former Texas School Book Depository, the site where, on November 22, 1963, an assassin allegedly fired the shots that killed Kennedy as the presidential motorcade passed through Dealey Plaza. The camera’s perspective exactly matches that of the assassin: it now shoots the tourists shooting their own memorial photos, and we can watch this in real time.
Twenty-one pigment ink prints, 18 x 24 cm on 24 x 30 cm paper each, edition of 3 copies + 1 AP


^ Hollybush Gardens, London November 2016

Vierzig Jahre

I have been collecting photographs for forty years. Some ended up in my works, others were discarded, and the rest I preserved in my collection despite not knowing what to do with them. The earliest of these survivors is a series of nineteen portraits reproduced in this book – portraits that have endured four continuous decades of sifting, disposal and preservation. There must be a reason for this.
2011
print on demand, colour
20 x 13 cm, 40 pages
softcover, perfect bound
open edition
12 €

Retratos decisivos

Portraits of black American soldiers taken in the south of England in April and May 1944. Published by Photo España on the occasion of an installation in the Nuevos Ministerios station, the booklet was distributed for free to clients of the Madrid metro.
2005 by Photo España
offset, b/w
24 x 17 cm, 16 pages
softcover
10,000 copies
out of print

The Face in the Desert

Portraits and Stories from the Daily Herald Archive. Education notes written by Jo Booth.
1999 by National Museum of Photography, Film & Television, Bradford
offset, b/w
29.7 x 21 cm, 24 pages
softcover, saddle-stitched
out of print

The Face in the Desert

Published by the National Museum of Photography, Film & Television on the occasion of an installation in Bradford city centre, the paper was distributed for free to visitors of the museum.
1999 by National Museum of Photography, Film & Television, Bradford
offset, colour
37 x 30 cm, 52 pages
10,000 copies
out of print

Very Miscellaneous

A possible history of country life in Sussex from the 1920 to the 1960s constructed of portraits found in the George Garland archive combined with fragments of news stories photographed from local newspapers of the era.
1997 by Photoworks, Maidstone
offset, b/w
16 x 10 cm, 48 pages
softcover
1,000 copies
ISBN 0 9517427 2 8
40 € (last copies)

Retratos decisivos (2004)

Retratos decisivos was a temporary public art project commissioned by and realized in collaboration with PhotoEspaña in Madrid in June 2004 on the occasion of the 60th anniversary of D-Day. The project consisted of both an extensive installation in Madrid’s metro station Nuevos Ministerios and a brochure that was distributed for free among the users of the Madrid metro. The work is based on the series Decisive Portraits.

The Face in the Desert (1999)

The Face in the Desert was a public art project commissioned by and realized in collaboration with the National Museum of Photography, Film and Television, Bradford. The project consisted of both an installation in Bradford city center and a newspaper. The images used for this project were found in the museum’s vast Daily Herald newspaper archive.

Decisive Portraits (1998)


^ Tang Museum, Saratoga Springs 2007

They came from the United States of America.
Evans, Garrett, Private in 9th Army Air Corps. Coley, Chapman and a Master Sgt., 23rd Apr. 1944
They gathered in the south of England.
Pattiford – Goodlet, Johnson – Hovington, 9th Army Air Corps, April 1944
They prepared for the day of decision.
Bradley – Bailey – Booth – Van Reed, 9th U.S. Army Air Corps, April 1944
They made no decisions themselves.
Basden. Mils. Liggans, U.S.A., May 1944
They imagined their lives after the battle.
Dulin. Slade. Johnson. Roebuck, U.S. Army, May 1944
They had their portraits taken before leaving.
Andrews, Pte. Powell, Sgt. Montgomery, Sgt. Montague, U.S. Air Force, May 1944
They left on the morning of June 6th.
Jones U.S.A., Nolan U.S.A., Scott U.S.A., Miles U.S.A., May 1944
Their portraits remained.
Bishop, Dailey, Bradley, Ferguson, U.S. Army, 1944

Decisive Portraits is derived from portraits taken by George Garland in April and May 1944 in Petworth, Sussex (see Very Miscellaneous).
Based on these portraits, Retratos decisivos was a temporary public art project, commissioned by and realized in collaboration with PhotoEspaña in Madrid in 2004.
Eight b/w photographs and a text panel, 38 x 28 cm each, edition of 2 copies
A catalogue is available in the series of white books.

Very Miscellaneous (1996)


^ Fabrica, Brighton, 11 October to 1 November 1997


^ Hasselblad Center, Konstmuseet Göteborg 1999


^ Tang Museum, Saratoga Springs 2007

Very Miscellaneous is based on the George Garland Collection and the archive of newspapers at the West Sussex Record Office. The work was commissioned by PhotoWorks as part of the Country Life series, curated by Val Williams.
Variable cluster of seventy b/w photographs, appr. 20 x 30 cm each.
Six portraits and six texts are available as diptychs (one portrait and one text in any combination; b/w prints, 36 x 24 cm each, edition of 3 copies + 1 AP).

Meisterwerke der Fotokunst (1989)

Meisterwerke der Fotokunst – Die Sammlung Fricke und Schmid. Zwanzig Originalreproduktionen unbekannter Werke bekannter Fotografen
Masterpieces of Photography – The Fricke and Schmid Collection. Twenty original reproductions of unknown works by well-known photographers
This collectors’ edition is an ironic comment on the accidential nature of photography. It consists of twenty “original reproductions” of anonymous photographs that were selected from a vast collection of fleamarket snapshots because of their striking resemblance to the works of well-known photographers. The photos’ titles and dates match the respective photographers’ œuvre. A short introduction attributed to photo historian Helmut Gernsheim corroborates the standing of the collection. The work was launched on the occasion of photography’s 150th anniversary (collaboration with Adib Fricke).
Photographs by Adolphe de Meyer, Edward Steichen, E.J. Bellocq, Hannah Höch, Eugène Atget, August Sander, Berenice Abbot, Man Ray, Laszlo Moholy-Nagy, René Magritte, Ralph Gibson, Robert Frank, Ansel Adams, Gisèle Freund, Harry Callahan, David Hockney, Duane Michals, William Wegman, Helmut Newton, Cindy Sherman.
Twenty matted photographs in a slipcase, 25.5 x 20.5 x 4.5 cm, edition of 20 + V copies