Land’s End

A series of street views taken in Silicon Valley in the vicinity of new technology companies. The photos show locations where Google Street View comes to its limits and the non-accessible spaces controlled by corporations or governmental agencies begin.
2018
digital print, b/w
21 x 14.8 cm, 20 pages
softcover, saddle-stitched
50 copies
8 €

Sixty-Eight Minutes on the Sunset Strip


On March 26th, 2014 I set out to explore the Sunset Strip. Coming from the south, I arrived at the western end of the strip at 2:58 pm. Traffic moved very slowly past buildings, apartments, real estate opportunities, parking lots, a gasoline station, and a few palm trees. It took sixty-eight minutes of stop and go traffic before I arrived at the eastern end of the strip. The reason for slow traffic was a small fire.
2014
digital print, b/w
14.8 x 10.5 cm, 80 pages
softcover, sewn
100 copies
12 €

Land’s End (2013)

A series of street views taken in Silicon Valley in the vicinity of new technology companies. The photos show locations where Google Street View comes to its limits and the non-accessible spaces controlled by corporations or governmental agencies begin.
Pigment ink prints, 20 x 15 cm on 25 x 20 cm paper, edition of 3 copies + 1 AP
A catalogue is available in the series of white books.

Borrowed

Thirty-four Madonna Inn postcards in a book with a blue cover, entitled Borrowed. If you prefer books with red covers you may prefer Replicated. Both books are part of ABCED, a multi-volume book project created by members of ABC Artists’ Books Cooperative to celebrate Ed Ruscha’s seventy-fifth birthday. ABCED was available from December 2012 until December 2013 only.
2012
print on demand, colour
20 x 13 cm, 40 pages
softcover, perfect bound
open edition
no longer available

Replicated

Thirty-four Madonna Inn postcards in a book with a red cover, entitled Replicated. If you prefer books with blue covers you may prefer Borrowed. Both books are part of ABCED, a multi-volume book project created by members of ABC Artists’ Books Cooperative to celebrate Ed Ruscha’s seventy-fifth birthday. ABCED was available from December 2012 until December 2013 only.
2012
print on demand, colour
20 x 13 cm, 40 pages
softcover, perfect bound
open edition
no longer available

Authentic Replica

Twelve pictures based on Madonna Inn postcards found in 1994 – pictures based on postcards based on authentic photographs of replicas of diverse places gathered in one location on the coast of California.
2014 (the 2012 print-on-demand edition is discontinued)
digital print, colour
21 x 14.8 cm, 16 pages
softcover, saddle-stitched
50 copies
8 €

L.A. Women

In December 2010, Los Angeles Police Department released one hundred and eighty photographs that were found in the possession of a serial murder suspect. All of them are photographs of women. These women may or may not be residents of Los Angeles, they may or may not be prostitutes (as were the women in the investigation). They may or may not be murder victims. We don’t know. We don’t even know whether the arrested suspect took these photographs himself.
Without knowing where the photographs come from, most of them wouldn’t be worth a second glance; for you and me, that is. Of course this is different for friends and family of the women depicted. And it is certainly different for the person who took these pictures. From the testimony of one surviving victim we know that the woman was first photographed, then shot, and then raped before she was dumped in the street.
Most of the women were clearly alive when the photos were taken; some are smiling, some are posing. Some appear to be asleep, they may or may not be sleeping the big sleep. Some of them may have been shot soon after or just before the photographer shot the picture. We don’t know.
It is actually the fact that we don’t know anything – apart from the context where these photographs come from – that makes them so eerie. We want to know more but the pictures don’t tell us. We look at them and they look at us. That’s all there is.
L.A. Women received an honorable mention in the 2011 Photography Book Now competition.
2011
print on demand, colour, uncoated paper
18 x 18 cm, 154 pages
hardcover with dust jacket
open edition
96 €
(a slightly different edition of 50 copies with one extra sheet was launched at the 4th International Photobook Festival Kassel in 2011)

Twentysix Gasoline Stations, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Nine Swimming Pools, A Few Palm Trees, No Small Fires

Between 1963 and 1972, Edward Ruscha published fifteen artist’s books, his first being Twentysix Gasoline Stations; a book which is considered to be the first modern artist’s book, and has become the iconic precursor and a major influence on the emerging international artists’ books culture. Twentysix Gasoline Stations, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Nine Swimming Pools, A Few Palm Trees, No Small Fires is a modern remake of some of Ruscha’s famous books, all grouped in one volume. Unlike the original books it relates to, this work was made entirely at my Berlin studio. I didn’t visit Los Angeles to make the book and I didn’t use a camera either. The camera is out there.
2009
print on demand, colour
18 x 18 cm, 198 pages
softcover / hardcover with dust jacket
open edition
45 / 60 €

Authentic Replica (2012)




The series Authentic Replica is based on a collection of Madonna Inn postcards found in 1994. A selection of these postcards became part of Archiv. Another selection was published in bookform as Borrowed / Replicated in 2012 as a part of the ABCED collection.
Twelve pigment ink prints, 30 x 40 cm on 40 x 50 cm paper, edition of 3 copies + 1 AP
A catalogue is available in the series of white books.